12 july | Walk, PANCs Feijoada and Movie, Largo de São Pedro, Campanhã
26 july | Talk, Performance and Celebration, Pavilhão do Vitória, Campanhã
With the Territory Cycle, we seek to trace paths in search of an art that is intertwined with the place, encouraging experimentation within the framework of artistic projects that feed on the discourses, experiences and memories, both human and non-human, that they find in the place. Throughout 2025, Fio Condutor will continue with new residencies and presentations, deepening its commitment to artistic creation and the territory.
On 12 July, Soalheira will lead us through the local grounds on a walk to discover PANCs – unconventional food plants – which we’ll cook together for dinner. At the table, we’ll serve feijoada and then watch a lively musical film with Cliff Richards, in a special screening by the Campanhã Cinema Club.
On 26 July, Chilean playwright Paula Aros, in residence for the month, presents -ō-sis, a project that combines art and science, linking the metamorphosis of insects to the transformations of women’s bodies and minds.
Then the Brazilian collective Pavilhão da Magnólia presents Há uma festa sem começo que não termina com o fim, a show that invites celebration and resistance. The evening ends on a high with the contagious energy of Batucada Radical.
15 june 2025
Largo de São Pedro, 11h00 – 18h00
On 15 June, in collaboration with the ConGerminar project of the Fogo Lento Cultural Association, we organised a day of sharing and reflection with a talk on artistic and pedagogical practices in dialogue with the environment, with Evelyne Lopez Mussons, from Rural Vivo; the workshop HOW TO SEE INVISIBLE THINGS with Madalena Matoso, from Planeta Tangerina, and the exhibition of URGANHADA, by Angelina Nogueira.
6 june 2025
Casa das Glicínias, 19h30
On 6 June we presented CORPO-ROUPA, by Tales Frey, at Casa das Glicínias in Contumil, an itinerant performance that transforms a group of young people into a collective body, guided by a single shared garment, where each step is negotiated in a choreography of listening, tension and complicity.
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